- Gesture & Meaning
- Part One: Social Documentary
- Project: Early Social Documentary
- Project: Social Documentary and Race
- Project: Mordernist Practice
- Project: Spectacle and Truth
- Project: Altruism in Practice
- Research Point: Contemporary Awareness
- Assignment One: Documentary Values
- Assignment One: Tutor Feedback Report
- Assignment One: Documentary Values Rework
- Part Two: Fine Art Photography
- Part Three: Portrait Photography
- Part Four: Advertising
- Part Five: Pulling Things Together
- Part Six: The Critical Review
- Conclusion
- Part One: Social Documentary
- Learning Log
- Log 1
- The Photograph – Graham Clarke
- Alfred Stieglitz – Documentary Photographer?
- Early Social Documentary In Britain and America
- Can Documentary Photography Ever Be Entirely Value Free?
- The Subject as Object: ‘Photography and the Human Body’ – Michelle Henning
- Positive and Negative Spin
- Magnum: The Founders
- Magnum: Fifty Years at the Frontline of History
- Current Conflicts – Watford Museum
- Style, Social Class and The Moment as Motivators In Documentary Photography
- Photography and Commodity Culture
- What is Documentary Photography?
- Log 2
- Arbus and ‘The Freak Show’
- Reception and Acceptance
- Can Documentary Photography Really Make A Difference?
- Denotation and Connotation – Migrant Mother
- Influences On Personal Style
- Sharing Photography and Photographs – Photography in a Connected Age – Royal Photographic Society and University of Westminster
- Go Away Closer – Dayanita Singh – Hayward Gallery
- Acceptance of Photography as Art
- The Photograph Manipulated
- Taylor Wessing Photographic Portrait Prize – National Portrait Gallery
- Log 3
- Donovan Wylie: Vision As Power – Imperial War Museum, London
- Mike Moore and Lee Craker – Imperial War Museum, London
- Photography and Feminism – Research Points
- In Our Own Image – Prof. Fred Ritchin
- Fiona Yaron-Field – OCASA Study Day
- Contemporary Awareness 2
- Only in England by Tony Ray-Jones and Martin Parr – Science Museum
- Hannah Höch – Whitechapel Gallery
- In Conversation With Lee Craker
- Portraits and Personality
- Portraiture in Photography
- Log 4
- How Sweet It Is To Scan
- Swinging ’60’s
- Francesca Woodman | Zigzag – Victoria Miro Gallery
- Snowdon: A Life In View – National Portrait Gallery
- Contemporary Awareness 3
- Elina Brotherus 12 ans après – Wapping Project, Bankside
- Horst: Photographer of Style – V & A London
- The Grammar Of The Ad
- Contemporary Awareness 4
- Log 1
- About
- Gesture & Meaning
- Part One: Social Documentary
- Project: Early Social Documentary
- Project: Social Documentary and Race
- Project: Mordernist Practice
- Project: Spectacle and Truth
- Project: Altruism in Practice
- Research Point: Contemporary Awareness
- Assignment One: Documentary Values
- Assignment One: Tutor Feedback Report
- Assignment One: Documentary Values Rework
- Part Two: Fine Art Photography
- Part Three: Portrait Photography
- Part Four: Advertising
- Part Five: Pulling Things Together
- Part Six: The Critical Review
- Conclusion
- Part One: Social Documentary
- Learning Log
- Log 1
- The Photograph – Graham Clarke
- Alfred Stieglitz – Documentary Photographer?
- Early Social Documentary In Britain and America
- Can Documentary Photography Ever Be Entirely Value Free?
- The Subject as Object: ‘Photography and the Human Body’ – Michelle Henning
- Positive and Negative Spin
- Magnum: The Founders
- Magnum: Fifty Years at the Frontline of History
- Current Conflicts – Watford Museum
- Style, Social Class and The Moment as Motivators In Documentary Photography
- Photography and Commodity Culture
- What is Documentary Photography?
- Log 2
- Arbus and ‘The Freak Show’
- Reception and Acceptance
- Can Documentary Photography Really Make A Difference?
- Denotation and Connotation – Migrant Mother
- Influences On Personal Style
- Sharing Photography and Photographs – Photography in a Connected Age – Royal Photographic Society and University of Westminster
- Go Away Closer – Dayanita Singh – Hayward Gallery
- Acceptance of Photography as Art
- The Photograph Manipulated
- Taylor Wessing Photographic Portrait Prize – National Portrait Gallery
- Log 3
- Donovan Wylie: Vision As Power – Imperial War Museum, London
- Mike Moore and Lee Craker – Imperial War Museum, London
- Photography and Feminism – Research Points
- In Our Own Image – Prof. Fred Ritchin
- Fiona Yaron-Field – OCASA Study Day
- Contemporary Awareness 2
- Only in England by Tony Ray-Jones and Martin Parr – Science Museum
- Hannah Höch – Whitechapel Gallery
- In Conversation With Lee Craker
- Portraits and Personality
- Portraiture in Photography
- Log 4
- How Sweet It Is To Scan
- Swinging ’60’s
- Francesca Woodman | Zigzag – Victoria Miro Gallery
- Snowdon: A Life In View – National Portrait Gallery
- Contemporary Awareness 3
- Elina Brotherus 12 ans après – Wapping Project, Bankside
- Horst: Photographer of Style – V & A London
- The Grammar Of The Ad
- Contemporary Awareness 4
- Log 1
- About
Lerpy's Photography Log 